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| LEADER |
01859nam a22002057i 4500 |
| 005 |
20150413125047.0 |
| 008 |
120827s2013 xxka | eng d |
| 020 |
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|a 9781841505152
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| 040 |
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|a NhCcYBP
|b eng
|c NhCcYBP
|d HR-ZaFF
|e ppiak
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| 080 |
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|a 791.43
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| 100 |
1 |
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|a Schober, Anna
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| 245 |
1 |
4 |
|a The cinema makers :
|b public life and the exhibition of difference in South-Eastern and Central Europe since the 1960's.
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| 260 |
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|a Bristol, UK ;
|a Chicago, IL :
|b Intellect,
|c 2013.
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| 300 |
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|a ix, 241 str. :
|b ilustr. ;
|c 23 cm
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| 504 |
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|a Bibliografija: str. [229]-241
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| 505 |
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|a Intoduction. - Chapter 1: In the midle of things: city, cinema and the public sphere : 1.1. Cinema's potential for creating a public sphere ; 1.2. Defference and the unfamiliar ; 1.3. The subject in process; rituals, revolt and storytelling. - Chapter 2: Movements and places: modern order and the cinema-squats in the 1960s : 2.1. Cinema and the modern attempt to eliminate ambivalence ; 2.2. To become cinema-makers: expanden and other cinemas, the Crni Talas and OHO ; 2.3. Transnationality: interaction and struggle vis-a-vis official strategies ; 2.4. Difference, priovatized ambivalence and the (informal) public sphere. - Chapter 3: films and urban interventions: the rediscovery of difference since the 1960s : 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination ; 3.2. the figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since 1960s. - Chapter 4: Follow-up initiatives : 4.1. Violence and humour: cinema activism in times of war ; 4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art
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| 650 |
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|a Motion pictures
|z Balkan Peninsula
|x History
|y 20th century.
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| 653 |
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|a film - Balkan - 20. stoljeće - 1960 ---
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| 942 |
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|c KNJ
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| 999 |
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|c 336709
|d 336706
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