The cinema makers : public life and the exhibition of difference in South-Eastern and Central Europe since the 1960's. - Schober, Anna (Bristol, UK ; Chicago, IL : Intellect, 2013)
Intoduction. - Chapter 1: In the midle of things: city, cinema and the public sphere : 1.1. Cinema's potential for creating a public sphere ; 1.2. Defference and the unfamiliar ; 1.3. The subject in process; rituals, revolt and storytelling. - Chapter 2: Movements and places: modern order and the cinema-squats in the 1960s : 2.1. Cinema and the modern attempt to eliminate ambivalence ; 2.2. To become cinema-makers: expanden and other cinemas, the Crni Talas and OHO ; 2.3. Transnationality: interaction and struggle vis-a-vis official strategies ; 2.4. Difference, priovatized ambivalence and the (informal) public sphere. - Chapter 3: films and urban interventions: the rediscovery of difference since the 1960s : 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination ; 3.2. the figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since 1960s. - Chapter 4: Follow-up initiatives : 4.1. Violence and humour: cinema activism in times of war ; 4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art
Bibliografija: str. [229]-241
Keywords: Motion pictures -- Balkan Peninsula -- History -- 20th century; film - Balkan - 20. stoljeće - 1960 ---