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02463cam a22002297i 4500 |
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20141029120656.0 |
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130522s2014 xxk b 001 0 eng |
| 020 |
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|a 9780415781800
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| 040 |
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|a DLC
|b hrv
|c DLC
|d DLC
|d HR-ZaFF
|e ppiak
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| 080 |
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|a 791.43.01(031)
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| 245 |
0 |
4 |
|a The Routledge encyclopedia of film theory /
|c edited by Edward Branigan and Warren Buckland.
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| 260 |
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|a London :
|b Routledge,
|c 2014.
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| 300 |
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|a XL, 526 str. ;
|c 26 cm.
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| 504 |
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|a Bibliografija.
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| 504 |
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|a Kazalo.
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| 505 |
0 |
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|a Affect, film and -- Anglo-American film theory -- Apparatus theory (Baudry) -- Apparatus theory (Plato) -- Art, film as -- Attention -- Attraction -- Auteur theory -- Blending and film theory -- Brecht and film -- Camera -- Cinematic movement -- Classic realist text -- Classical film theory -- Close-up -- Cognitive film theory -- Concept -- Contemporary film theory -- Counter-cinema -- Depth of field -- Dialogism -- Diegesis -- Digital cinema -- Documentary theory -- Emotion, film and -- Enunciation -- Ethics -- European film theory -- Evidence (Nancy) -- Excess, cinematic -- Fantasy and spectatorship -- Feminist film theory, core concepts -- Feminist film theory, history of -- Film fable (Rancière) -- Film-philosophy -- Formalist theories of film -- Gaming and film theory -- Gaze theory -- Genre theory -- Identification, theory of -- Ideology -- Illusion -- Imaginary signifier -- Imagined observer hypothesis -- Inaesthetics (Badiou) -- Interface -- Long take -- Memory and film -- Mimetic innervation -- Minor cinema -- Mise en scène -- Modernism versus realism -- Montage theory I (Hollywood) -- Montage theory II (Soviet avant-garde) -- Movement-image -- Narration -- Ontology of the photographic image -- Ordinary man of the cinema (Schefer) -- Perspectivism versus realism -- Phenomenology and film -- Pixel/cut/vector -- Poetic cinema -- Point of view -- Postmodern cinema -- Queer theory/Queer cinema -- Reception theory -- Redemption (Kracauer) -- Representation -- Rhetoric, film and -- Scepticism -- Seeing/perceiving -- Semiotics of film -- Sound theory -- Specificity, medium I -- Specificity, medium II -- Structural/materialist film -- Suture -- Symbol and analogon (Mitry) -- Symptomatic reading -- Third World cinema -- Time-image -- Trauma and cinema -- Voice.
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| 653 |
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0 |
|a Teorija filma
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| 653 |
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6 |
|a Enciklopedija
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| 700 |
1 |
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|a Branigan, Edward
|4 edt
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| 700 |
1 |
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|a Buckland, Warren
|4 edt
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| 942 |
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|c KNJ
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| 999 |
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|c 331987
|d 331984
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