The Routledge encyclopedia of film theory - Branigan, Edward; Buckland, Warren (London : Routledge, 2014)
Affect, film and -- Anglo-American film theory -- Apparatus theory (Baudry) -- Apparatus theory (Plato) -- Art, film as -- Attention -- Attraction -- Auteur theory -- Blending and film theory -- Brecht and film -- Camera -- Cinematic movement -- Classic realist text -- Classical film theory -- Close-up -- Cognitive film theory -- Concept -- Contemporary film theory -- Counter-cinema -- Depth of field -- Dialogism -- Diegesis -- Digital cinema -- Documentary theory -- Emotion, film and -- Enunciation -- Ethics -- European film theory -- Evidence (Nancy) -- Excess, cinematic -- Fantasy and spectatorship -- Feminist film theory, core concepts -- Feminist film theory, history of -- Film fable (Rancière) -- Film-philosophy -- Formalist theories of film -- Gaming and film theory -- Gaze theory -- Genre theory -- Identification, theory of -- Ideology -- Illusion -- Imaginary signifier -- Imagined observer hypothesis -- Inaesthetics (Badiou) -- Interface -- Long take -- Memory and film -- Mimetic innervation -- Minor cinema -- Mise en scène -- Modernism versus realism -- Montage theory I (Hollywood) -- Montage theory II (Soviet avant-garde) -- Movement-image -- Narration -- Ontology of the photographic image -- Ordinary man of the cinema (Schefer) -- Perspectivism versus realism -- Phenomenology and film -- Pixel/cut/vector -- Poetic cinema -- Point of view -- Postmodern cinema -- Queer theory/Queer cinema -- Reception theory -- Redemption (Kracauer) -- Representation -- Rhetoric, film and -- Scepticism -- Seeing/perceiving -- Semiotics of film -- Sound theory -- Specificity, medium I -- Specificity, medium II -- Structural/materialist film -- Suture -- Symbol and analogon (Mitry) -- Symptomatic reading -- Third World cinema -- Time-image -- Trauma and cinema -- Voice.
Bibliografija.
Kazalo.
Keywords: Teorija filma; Enciklopedija