"Tis a pity she's a whore": An Actress and her Doubles between postcommunism and posthumanism
The article discusses the fate of two Croatian actresses in the Croatina nineties, focusing primarily on the discursive production of their anathema or deification. Using the parameters of Rene Girard's anthropology, the analysis attempts to discover the logic of obsessive discursive doubling o...
| Permalink: | http://skupnikatalog.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:305445/Similar |
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| Matična publikacija: |
Frakcija : magazin za izvedbene umjetnosti 20-21 (2001), str. 94-111 |
| Glavni autor: | Čale Feldman, Lada (-) |
| Vrsta građe: | Članak |
| Jezik: | eng |
APA stil citiranja
Čale Feldman, L. (2001). "Tis a pity she's a whore": An Actress and her Doubles between postcommunism and posthumanism: "Tis a pity she's a whore": An Actress and her Doubles between postcommunism and posthumanism. Frakcija : magazin za izvedbene umjetnosti.
Chicago stil citiranjaČale Feldman, Lada. ""Tis a pity she's a whore": An Actress and her Doubles between postcommunism and posthumanism: "Tis a pity she's a whore": An Actress and her Doubles between postcommunism and posthumanism." 2001.
MLA stil citiranjaČale Feldman, Lada. ""Tis a pity she's a whore": An Actress and her Doubles between postcommunism and posthumanism: "Tis a pity she's a whore": An Actress and her Doubles between postcommunism and posthumanism." 2001.