"Tis a pity she's a whore": An Actress and her Doubles between postcommunism and posthumanism
The article discusses the fate of two Croatian actresses in the Croatina nineties, focusing primarily on the discursive production of their anathema or deification. Using the parameters of Rene Girard's anthropology, the analysis attempts to discover the logic of obsessive discursive doubling o...
| Permalink: | http://skupnikatalog.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:305445/Details |
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| Matična publikacija: |
Frakcija : magazin za izvedbene umjetnosti 20-21 (2001), str. 94-111 |
| Glavni autor: | Čale Feldman, Lada (-) |
| Vrsta građe: | Članak |
| Jezik: | eng |
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| 100 | 1 | |9 679 |a Čale Feldman, Lada | |
| 245 | 1 | 0 | |a "Tis a pity she's a whore": An Actress and her Doubles between postcommunism and posthumanism / |c Čale-Feldman, Lada. |
| 246 | 3 | |i Naslov na engleskom: |a "Tis a pity she's a whore": An Actress and her Doubles between postcommunism and posthumanism | |
| 300 | |a 94-111 |f str. | ||
| 363 | |a 20-21 |i 2001 | ||
| 520 | |a The article discusses the fate of two Croatian actresses in the Croatina nineties, focusing primarily on the discursive production of their anathema or deification. Using the parameters of Rene Girard's anthropology, the analysis attempts to discover the logic of obsessive discursive doubling of these two figures, in media and both high-brow and low-brow, local and global imagination. | ||
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| 693 | |a political anthropology, cultural studies, acting |l hrv |2 crosbi | ||
| 693 | |a political anthropology, cultural studies, acting |l eng |2 crosbi | ||
| 773 | 0 | |t Frakcija : magazin za izvedbene umjetnosti |x 1331-0100 |g 20-21 (2001), str. 94-111 | |
| 942 | |c CLA |t 1.01 |u 2 |z Znanstveni - clanak | ||