Radical tragedy
| Permalink: | http://skupnikatalog.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:229739/TOC |
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| Glavni autor: | Dollimore, Jonathan (-) |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
Durham :
Duke University Press,
2004.
|
| Izdanje: | 2nd ed. with a new introduction |
| Predmet: |
Sadržaj:
- Introduction to the Third edition
- - i September 1914
- ii September 2001
- iii September 1939
- iv Art and humanism
- v Humanism and materialism
- vi Returns
- vii Knowledge and desire
- Notes
- Bibliography
- Introduction to the Second edition
- Part I: Radical drama: its contexts and emergence
- 1. Contexts: i Literary criticism: order versus history
- ii Ideology, religion and Renaissance scepticism
- iii Ideology and the decentrigg of man
- iv Secularism versus nihilism
- Censorship
- vi Inversion and misrule
- 2. Emergence: Marston's 'Antonio' plays (c.1599-1601) and Shakespeare's 'Troilus and Cressida' (c. 1601-2): i Discontinous identity (1)
- ii Providence and natural law (1)
- iii Discontinuous identity (2)
- iv Providence and natural law (2)
- v Ideology and the Absolute
- vi Social contradiction and discontinuous identity
- vii Renaissance man versus decentred malcontent
- Part II: Structure, mimesis, providence
- 3 Structure: from resolution to dislocation: i Bradley
- ii Archer and eliot
- iii Coherence and discontinuity
- iv Brecht: a different reality
- 4 Renaissance literary theory: two concepts of mimesis: i poetry versus history
- ii The fictive and the real
- 5 The disintegration of providentialist belief: i Atheism and religious scepticism
- ii Providentialism and history
- iii Organic providence iv From mutability to cosmic decay
- v Goodman and elemental chaos
- vi Providence and Protestantism
- vii Providence, decay and the drama
- 6 Dr Faustus (c. 1589-92): Subversion through transgression: i Limit and transgression
- ii Power and the unitary soul
- 7 Mustapha (c. 1594-6): Ruined aesthetic, ruined theology: i. Tragedy, theology and cosmic decay
- ii Mustapha: Tragedy as dislocation
- 8 Sejanus (1603): History and Realpolitik: i History, fate, providence
- 9 The revenger's tragedy (c. 1606): Providence, parody and black camp: i Providence and parody
- ii Desire and death
- Part III: Man decentred
- 10 Subjectivity and social process: i Tragedy, humanism and the transcendent subject
- ii The Jacobean displacement of the subject
- iii The essentialist tradition: Christianity, Stoicism and Renaissance humanism
- iv Internal tensions
- v Anti-essentialism in political theory and Renaissance Scepticism
- vi Renaissance individualism?
- 11 Busy D'Ambois (c. 1604): a hero at court: i Shadows and substance
- ii Court power and native noblesse
- 12 King Lear (c.1605-6) and essentialist humanism: i Redemption and endurance: two sides of essentialist humanism
- ii King Lear: a materialist reading
- iii The refusal of closure
- 13 Antony and Cleopatra (c. 1607): Virtus under erasure: i Virtus and history
- ii Virtus and Realpolitik (1)
- iii. Honour and policy
- iv Sexuality and power
- 14 Coriolanus (c. 1608): the chariot wheel and its dust: i Virtus and Realpolitik (2)
- ii Essentialism and class war
- 15 The White Devil (1612): transgression without virtue: i Religion and state power
- ii The virtuous and the state power
- ii The virtuous and the vicious
- iii Sexual and social exploitation
- iv The assertive woman
- v The dispossessed intellectual
- vi Living contradictions
- Part IV: Subjectivity: idealism versus materialism
- 16 Beyond essentialist humanism: i Origins of the transcendent subject
- ii essence and universal: enlightenment transitions
- iii discrimination and subjectivity
- iv Formative literary influences: Pope to Eliot
- v Existentialism
- vi Lawrence, Leavis and individualism
- vii The decentred subject
- Notes