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|b hrv
|c HR-ZaFF
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|a 82.09
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| 100 |
1 |
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|a Dollimore, Jonathan
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| 245 |
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0 |
|a Radical tragedy :
|b religion, ideology and power in the drama of Shakespeare and his contemporaries /
|c Jonathan Dollimore ; [with a new introduction by the author and a new foreword by Terry Eagleton].
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| 250 |
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|a 2nd ed. with a new introduction.
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| 260 |
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|a Durham :
|b Duke University Press,
|c 2004.
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| 300 |
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|a xcix, 412 str. ;
|c 22 cm
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| 504 |
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|a Str. 290-305: Bibliografija
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| 504 |
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|a Kazalo
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| 505 |
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|a Introduction to the Third edition --- i September 1914 -- ii September 2001 -- iii September 1939 -- iv Art and humanism -- v Humanism and materialism -- vi Returns -- vii Knowledge and desire -- Notes -- Bibliography
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| 505 |
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|a Introduction to the Second edition
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| 505 |
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|a Part I: Radical drama: its contexts and emergence
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| 505 |
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|a 1. Contexts: i Literary criticism: order versus history -- ii Ideology, religion and Renaissance scepticism -- iii Ideology and the decentrigg of man -- iv Secularism versus nihilism -- Censorship -- vi Inversion and misrule
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| 505 |
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|a 2. Emergence: Marston's 'Antonio' plays (c.1599-1601) and Shakespeare's 'Troilus and Cressida' (c. 1601-2): i Discontinous identity (1) -- ii Providence and natural law (1) -- iii Discontinuous identity (2) -- iv Providence and natural law (2) -- v Ideology and the Absolute -- vi Social contradiction and discontinuous identity -- vii Renaissance man versus decentred malcontent
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| 505 |
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|a Part II: Structure, mimesis, providence
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| 505 |
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|a 3 Structure: from resolution to dislocation: i Bradley -- ii Archer and eliot -- iii Coherence and discontinuity -- iv Brecht: a different reality
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| 505 |
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|a 4 Renaissance literary theory: two concepts of mimesis: i poetry versus history -- ii The fictive and the real
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| 505 |
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|a 5 The disintegration of providentialist belief: i Atheism and religious scepticism -- ii Providentialism and history -- iii Organic providence iv From mutability to cosmic decay -- v Goodman and elemental chaos -- vi Providence and Protestantism -- vii Providence, decay and the drama
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| 505 |
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|a 6 Dr Faustus (c. 1589-92): Subversion through transgression: i Limit and transgression -- ii Power and the unitary soul
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| 505 |
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|a 7 Mustapha (c. 1594-6): Ruined aesthetic, ruined theology: i. Tragedy, theology and cosmic decay -- ii Mustapha: Tragedy as dislocation
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| 505 |
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|a 8 Sejanus (1603): History and Realpolitik: i History, fate, providence
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| 505 |
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|a 9 The revenger's tragedy (c. 1606): Providence, parody and black camp: i Providence and parody -- ii Desire and death
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| 505 |
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|a Part III: Man decentred
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| 505 |
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|a 10 Subjectivity and social process: i Tragedy, humanism and the transcendent subject -- ii The Jacobean displacement of the subject -- iii The essentialist tradition: Christianity, Stoicism and Renaissance humanism -- iv Internal tensions -- v Anti-essentialism in political theory and Renaissance Scepticism -- vi Renaissance individualism?
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| 505 |
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|a 11 Busy D'Ambois (c. 1604): a hero at court: i Shadows and substance -- ii Court power and native noblesse
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| 505 |
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|a 12 King Lear (c.1605-6) and essentialist humanism: i Redemption and endurance: two sides of essentialist humanism -- ii King Lear: a materialist reading -- iii The refusal of closure
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| 505 |
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|a 13 Antony and Cleopatra (c. 1607): Virtus under erasure: i Virtus and history -- ii Virtus and Realpolitik (1) -- iii. Honour and policy -- iv Sexuality and power
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| 505 |
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|a 14 Coriolanus (c. 1608): the chariot wheel and its dust: i Virtus and Realpolitik (2) -- ii Essentialism and class war
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| 505 |
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|a 15 The White Devil (1612): transgression without virtue: i Religion and state power -- ii The virtuous and the state power -- ii The virtuous and the vicious -- iii Sexual and social exploitation -- iv The assertive woman -- v The dispossessed intellectual -- vi Living contradictions
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| 505 |
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|a Part IV: Subjectivity: idealism versus materialism
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| 505 |
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|a 16 Beyond essentialist humanism: i Origins of the transcendent subject -- ii essence and universal: enlightenment transitions -- iii discrimination and subjectivity -- iv Formative literary influences: Pope to Eliot -- v Existentialism -- vi Lawrence, Leavis and individualism -- vii The decentred subject
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| 505 |
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|a Notes
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| 653 |
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|a renesansna drama
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| 653 |
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|a religija
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| 653 |
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|a ideologija
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| 653 |
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|a Shakespeare, William
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| 942 |
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|c KNJ
|h EC01.6
|i DOL R-2004
|6 EC016_DOL_R2004
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| 991 |
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|a komIII-1672
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| 991 |
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|a komIII-1673
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| 992 |
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|a KK
|b ŽV
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| 999 |
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|c 229739
|d 229739
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