Art paintings accessible to the blind

The purpose of the article is to explore in what ways visual arts can be brought closer to blind persons in the postmodern society, in which sight is perceived to be the highest of the senses and in which most information is based on images. The basic methods of presenting a work of art involve the...

Full description

Permalink: http://skupnikatalog.nsk.hr/Record/nsk.NSK01001130939/Details
Matična publikacija: Nova prisutnost (Online)
19 (2021), 3 ; str. 599-612
Glavni autor: Kermauner, Aksinja (Author)
Vrsta građe: e-članak
Jezik: eng
Predmet:
Online pristup: https://doi.org/10.31192/np.19.3.9
Hrčak
LEADER 02406naa a22003614i 4500
001 NSK01001130939
003 HR-ZaNSK
005 20220413140934.0
006 m d
007 cr||||||||||||
008 220311s2021 ci o |o |0|| ||eng
024 7 |2 doi  |a 10.31192/np.19.3.9 
035 |a (HR-ZaNSK)001130939 
040 |a HR-ZaNSK  |b hrv  |c HR-ZaNSK  |e ppiak 
041 0 |a eng  |b hrv 
042 |a croatica 
044 |a ci  |c hr 
080 1 |a 75  |2 2011 
080 1 |a 316  |2 2011 
100 1 |a Kermauner, Aksinja  |4 aut 
245 1 0 |a Art paintings accessible to the blind  |h [Elektronička građa] /  |c Aksinja Kermauner. 
300 |b Fotogr. 
504 |a Bibliografske bilješke uz tekst. 
504 |a Summary ; Sažetak. 
520 |a The purpose of the article is to explore in what ways visual arts can be brought closer to blind persons in the postmodern society, in which sight is perceived to be the highest of the senses and in which most information is based on images. The basic methods of presenting a work of art involve the remaining senses, mostly those of hearing and of touch. It is of course not enough just to deliver a factual description of a painting or to transform it into tactile graphics – more complex techniques such as audio-description, method of associations, participating in role-playing, all with the aim of a holistic experience of the work of art, must be sought instead. 
520 |a Svrha članka je istražiti na koji se način vizualne umjetnosti mogu približiti slijepim osobama u postmodernom društvu, u kojem se vid smatra najvećim od osjetila i u kojem se većina informacija temelji na slikama. Osnovne metode predstavljanja umjetničkog djela uključuju preostala osjetila, uglavnom ona sluha i dodira. Nije naravno dostatno pružiti samo činjenični opis slike ili je transformirati u taktilnu grafiku – umjesto toga mora se tražiti složenije tehnike, kao što su audio-opis, metoda asocijacija, sudjelovanje u igranju uloga, a sve radi holističkog iskustva umjetničkog djela. 
653 0 |a Vizualne umjetnosti  |a Slike  |a Slijepe osobe  |a Dodir  |a Sluh  |a Taktilna slika 
773 0 |t Nova prisutnost (Online)  |x 1848-8676  |g 19 (2021), 3 ; str. 599-612  |w nsk.(HR-ZaNSK)000836491 
981 |b Be2021  |b B01/21 
998 |b tino2204 
856 4 0 |u https://doi.org/10.31192/np.19.3.9 
856 4 0 |u https://hrcak.srce.hr/265527  |y Hrčak 
856 4 1 |y Digitalna.nsk.hr