Audience participation in theatre
"The popularity of participatory work with audiences is greater than ever, but the invitation to participate is rarely given attention as a feature of performance, or an important element of practice in its own right. This book presents a theory of audience participation in the theatre, based o...
Permalink: | http://skupnikatalog.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:338139/TOC |
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Glavni autor: | White, Gareth (-) |
Vrsta građe: | Knjiga |
Jezik: | eng |
Impresum: |
New York :
Palgrave Macmillan,
2013.
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Predmet: |
Sadržaj:
- Machine generated contents note:
- Acknowledgements
- Introduction
- 1. Audience Participation
- 2. Why 'Aesthetics'?
- 3. The Practice and Theory of Audience Participation
- 4. Emancipating Spectators
- 5. Subjectivity as Material and Medium
- 6. The Structure of the Book
- PART I: PROCESS AND PROCEDURE
- 7. Antony Jackson and Frame Analysis
- 8. Goffman's Frame Analysis
- 9. The Frame Analysis of Audience Participation
- 10. Roles and Resources
- 11. Working Inside the Frame
- 12. Control and Social Structure
- 13. Horizons of Participation
- 14. The Aesthetic Meaning of Agency
- 15. Armadillo Theatre
- 16. Analysing Armadillo's Procedure
- PART II: RISK AND RATIONAL ACTION
- 17. Risk in Performance
- 18. Real and Perceived Risk
- 19. Actual Risk in Audience Participation
- 20. Horizons of Risk
- 21. Risk Management as Procedural Authorship
- 22. Ethical Issues in the Management of Real and Perceived Risk
- 23. Protecting Participants into Involvement
- 24. Reading the Audience Participant
- 25. Performativity and the Public Self
- 26. Know One's Fool
- PART III: IRRATIONAL INTERACTIONS
- 27. Emotion in Audience Participation
- 28. Embodied Cognition and the Enactive Theory of Mind
- 29. Empathy and Intersubjectivity in Audience Participation
- 30. Laughter
- 31. Crowds
- 32. Liminality and Communitas
- 33. Hypnosis
- 34. Procedural Authorship and Harnessing Intersubjectivity
- 35. De La Guarda's Liminoid Participation
- 36. Embodiment, Enculturation and Meaning
- PART IV: ACCEPTING THE INVITATION
- 37. Theatre Audiences and Feedback Loops
- 38. A New Horizon
- 39. Weather on the Horizon
- 40. Gaining Roles and Responsibilities
- 41. Experiential Learning
- 42. Reflexivity and Witnessing
- 43. Self-Awareness and Self-Forgetfulness
- 44. Autopoiesis, Allopoiesis, Heteropoiesis
- 45. Tim Crouch: The Author and I, Malvolio
- Conclusion
- 46. The Procedural Author
- 47. The Aesthetic Theory
- 48. Making Special
- 49. Patterning and Elaborating Participation
- 50. The Aesthetic Regime.