Afterlives
"Weimar cultural critics and intellectuals have repeatedly linked the dynamic movement of the cinema to discourses of life and animation. Correspondingly, recent film historians and theorists have taken up these discourses to theorize the moving image, both in analog and digital. But, many impo...
| Permalink: | http://skupnikatalog.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:334670/TOC |
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| Glavni autor: | Choe, Steve (-) |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
New York [etc.] :
Bloomsbury,
2014.
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| Nakladnička cjelina: |
Thinking cinema ;
volume 2 |
| Predmet: |
Sadržaj:
- Machine generated contents note:
- Introduction Chapter One: Two Postwar Masculinities Robert Reinert's Nerves (1919)Chapter Two: Melancholy Specters F. W. Murnau's The Haunted Castle (1921) and Phantom (1922)Chapter Three: The Temporality of Destiny Fritz Lang's Destiny (1921)Chapter Four: The Cinematic Other Paul Wegener's The Golem: How He Came Into the World (1920)Chapter Five: Technologies of Vengeance Fritz Lang's The Nibelungen (1924) and Arthur Robison's Warning Shadows (1923)Conclusion NotesBibliography Filmography.