Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England
The paper will focus on two (seemingly quite distant)instances of the use of utopian topos by Renaissance playwrights: William Shakespeare in his romance The Tempest (1610) and the Croatian playwright Marin Držić in this best-known play, the comedy Uncle Maroje (1551). The examination will attempt t...
| Permalink: | http://skupnikatalog.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:313815/Similar |
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| Glavni autor: | Ciglar-Žanić, Janja (-) |
| Vrsta građe: | Članak |
| Jezik: | eng |
APA stil citiranja
Ciglar-Žanić, J. (1995). Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England: Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England.
Chicago stil citiranjaCiglar-Žanić, Janja. Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England: Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England. 1995.
MLA stil citiranjaCiglar-Žanić, Janja. Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England: Necromancers, buffoons, conspirators: The uses of utopia in Držić's Dubrovnik and Shakespeare's England. 1995.