Performative cross-gendering and disciplinary border-crossing
The interest for the third gender collides with the theoretical approach to gender as a performative construction, often blurring not only the borders between the two sex-gender poles, but also between disciplines called upon to theorize the sexual criss-crossings. The paper questions one of such...
Permalink: | http://skupnikatalog.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:305073/Details |
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Matična publikacija: |
Narodna umjetnost. Croatian Journal of Ethnology and Folklore Research 37 (2000), 1 ; str. 7-20 |
Glavni autor: | Čale Feldman, Lada (-) |
Vrsta građe: | Članak |
Jezik: | eng |
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245 | 1 | 0 | |a Performative cross-gendering and disciplinary border-crossing / |c Čale-Feldman, Lada. |
246 | 3 | |i Naslov na engleskom: |a Performative cross-gendering and disciplinary border-crossing | |
300 | |a 7-20 |f str. | ||
363 | |a 37 |b 1 |i 2000 | ||
520 | |a The interest for the third gender collides with the theoretical approach to gender as a performative construction, often blurring not only the borders between the two sex-gender poles, but also between disciplines called upon to theorize the sexual criss-crossings. The paper questions one of such border-crossings, the one between theatre and theory, since performance and performative derive principally from the already hybrid field of Schechners performance theory. | ||
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693 | |a performance theory, gender studies |l hrv |2 crosbi | ||
693 | |a performance theory, gender studies |l eng |2 crosbi | ||
773 | 0 | |t Narodna umjetnost. Croatian Journal of Ethnology and Folklore Research |x 0547-2504 |g 37 (2000), 1 ; str. 7-20 | |
942 | |c CLA |t 1.01 |u 2 |z Znanstveni - clanak |