Moving viewers
Permalink: | http://skupnikatalog.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:230239/TOC |
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Glavni autor: | Plantinga, Robert C. (-) |
Vrsta građe: | Knjiga |
Impresum: |
Berkeley :
University of California Press,
2009.
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Predmet: |
Sadržaj:
- Introduction: Affect and rthe movies : The significance of affect - A theory of affect at the movies - In defense of films - Spectators and roles: a brief note on terminology. - 1. Pleasures, desires, fantasies : Movie pleasures - cognitive play - Visceral experience - Sympathy, antipathy, and parasocial engagement - Narrative scenarios and emotional satisfactions - Reflexive and social pleasures - The multiple pleasures of the spectator - Movie desires - Movies and fantasies - Movies and dreams. - 2. Movies and emotions : Automaticity and the psychological unconscious . - What is emotion? - A cognitive-perceptual approach - Basic concepts and terms - Emotions inside and outside the ovie theater - The paradox of fiction - Play and the regulation of emotion - Kinds of emotions - Direct, sympathetic/antipathetic, artiface, and meta-emotions - Memory traces and associations - Summary: emotions at the movies. - 3. Stories and sympathies : Affective prefocusing - Paradigm scenarios - Primary emotions and the movies - Hollywood and the New Hollywood - Narrative and character - Classical narrative structure and engagement - The structure of engagement - Character engagemenet and spectator difference - What character engagement is: A summary. - The sensual medium : Seeing and hearing movies - Film and the body - Direct affect - Representing emotional experience - Affective mimicry - Mimicry and the face - Mimicry and the body - Music, sound, and affect - Affect and contemporary Hoollywood style. - 5. Affective trajectories and synesthesia : Narrative focus - Character goals and narration - Synesthetic affect and fittingness - Narrative scenarios and synesthetic affect - Shame, guilt, and the spectator - Shame and guilt as meta-emotions - Shame/guilt scenarios and synesthetic affect - Four parameters of affective trajectories. - 6. Negative emotions and sympathetic narratives : Sympathetic and distanced narratives - The paradox of negative emotions - Hume on the paradox of tragedy - Catharsis? - Managing the negative emotions - The spillover effect - Fantasies of assurance and control - Ideology in sympathetic and distanced narratives. - 7. The rhetoric of emotion: disgust and beyond : The affective rhetoric of film - The case of disgust - Disgust defined - The rise of movie disgust - The nature of movie disgust - The rhetoric of movie disgust - Polyester and ironic disgust - The rehtoric of emotion in film. - Conclusion: Moving viewers.