A second life
| Permalink: | http://skupnikatalog.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:229298/TOC |
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| Ostali autori: | Elsaesser, Thomas (Editor), Wedel, Michael |
| Vrsta građe: | Knjiga |
| Impresum: |
Amsterdam :
Amsterdam University Press,
cop. 1996.
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| Nakladnička cjelina: |
Film culture in transition
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| Predmet: |
Sadržaj:
- General Introduction ; Early German Cinema: A Second Life? Thomas Elsaesser ; Section I: Audiences and the Cinema Industry ; The Kaiser's Cinema: An Archeology of Attitudes and Audiences, Martin Loiperdinger ; Oskar Messter, Film Pioneer: Early Cinema between Science, Spectacle, and Commerce, Martin Koerber ; The French Connection: Franco-German Film Relations before World War I, Frank Kessler and Sabine Lenk ; The Danish Influence: David Oliver and Nordisk in Germany, Evelyn Hampicke ; Paul Davidson, the Frankfurt Film Scene and AFGRUNDEN in Germany, Peter La;hn Munich's First Fiction Feature: DIE WAHRHEIT, Jan-Christopher Horak ; Moving Images of America in Early German Cinema, Deniz Göktürk ; Section II: Popular Stars and Genres ; Comedy ; Early German Film Comdey, 1895-1917, Thomas Brandlmeier ; The Spectator as Accomplice in Ernst Lubitsch's SCHUHPALAST PINKUS, Karsten Witte ; Melodrama and Social Drama ; Asta Nielsen and Femal Narration: The Early Films, Heide Schlüpmann ; Melodrama and Narrative Space: Franz Hofer's HEIDENRÖSLEIN, Michael Wedel ; Crime Drama and Detective Film ; Cinema from teh Writing Desk: Detective Films in Imperial Germany, Tilo Knops ; Ernst Reicher alias Stuart Webbs: King of the German Film Detectives, Sebastian Hesse ; The Early Fantasy Film ; The Faces of Stellan Rye, Casper Tybjerg ; HOMUNCULUS: A Project for a Modern Cinema, Leonardo Quaresima ; Non-Fiction: War Films, Industrial Films, Propaganda and Advertising : Julius Pinschewer: A Trade-mark Cinema, Jeanpaul Goergen ; Newsreel Images of the Militar and War, 1914-1918, Wolfgang Mühl-Benninghaus ; Learning from the Enemy: German Film Propaganda in World War I, Rainer Rother ; The Reason and Magic of Steel: Industrial and Urban Discourses in DIE POLDIHU;TTE, Kimberly O'Quinn ; Section III: Film Style and Intertexts: Authors, Films, and Authors' Films ; Max Mack: The Invisible Author, Michael Wedel ; From Peripetia to Plot Point: Heinrich Lautensack and ZWEIMAL GELEBT, Jürgen Kasten ; Giuseppe Becce and RICHARD WAGNER: Paradoxes of the First German Film Score, Ennio Simeon ; Early German Film: The Stylistics in Comparative Context, Barry Salt ; Self-Referentiality in Early German Cinema, Sabine Hake ; Of Artists and Tourists: 'Locating' Holland in Two Early German Films, Ivo Blom ; Stylistic Expressivity in DIE LANDSTRASSE, Kristin Thompson ; Two 'Stylists' of the Teens: Franz Hofer and Yevgenii Bauer, Yuri Tsivian ; The Voyeur at Wilhelm's Court: Franz Hofer, Elena Dagrada