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02567nam a2200613ui 4500 |
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070302s2006 ||| |||||||||| ||eng|d |
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|a 1405120274
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| 035 |
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|a HR-ZaFF komL8740
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| 040 |
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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| 080 |
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|a 791.43.01(082):1
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| 080 |
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|a 1
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| 245 |
0 |
0 |
|a Philosophy of film and motion pictures :
|b an anthology /
|c edited by Noël Carroll and Jinhee Choi.
|
| 260 |
|
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|a Malden [etc.] :
|b Blackwell Publishing,
|c 2006.
|
| 300 |
|
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|a x, 430 str. ;
|c 25 cm
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| 440 |
|
0 |
|a Blackwell philosophy anthologies
|
| 504 |
|
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|a Bibliografske bilješke uz poglavlja
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| 505 |
8 |
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|a Scruton, Roger, Photography and representation
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| 505 |
8 |
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|a Lopes, Dominic, McIver, The aesthetics of photographic transparency
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| 505 |
8 |
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|a Rafferty, Terrence, Everybody gets a cut
|
| 505 |
8 |
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|a Cavell, Stanley, From the world viewed
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| 505 |
8 |
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|a Langer, Susanne K., A note on the film
|
| 505 |
8 |
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|a Sparshott, F. E., Vision and dream in the cinema
|
| 505 |
8 |
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|a Currie, Gregory, The long goodbye
|
| 505 |
8 |
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|a Danto, Arthur C., Moving pictures
|
| 505 |
8 |
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|a Carroll, Noël, Defining the moving image
|
| 505 |
8 |
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|a Currie, Gregory, Visible traces
|
| 505 |
8 |
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|a Carroll, Noël, Fiction, non-fiction, and the film of presumptive assumption
|
| 505 |
8 |
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|a Wilson, George M., Le grand imagier steps out
|
| 505 |
8 |
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|a Currie, Gregory, Unreliability refigured
|
| 505 |
8 |
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|a Carroll, Noël, Film, emotion, and genre
|
| 505 |
8 |
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|a Walton, Kendall, Fearing fictions
|
| 505 |
8 |
|
|a Neill, Alex, Empathy and (film) fiction
|
| 505 |
8 |
|
|a Gaut, Berys, Identification and emotion in narrative film
|
| 505 |
8 |
|
|a Knight, Deborah, In fictional shoes
|
| 505 |
8 |
|
|a Wilson, George M., Morals for method
|
| 505 |
8 |
|
|a Livingston, Paisley, Cinematic authorship
|
| 505 |
8 |
|
|a Choi, Jinhee, National cinema
|
| 505 |
8 |
|
|a Kupfer, Joseph H., Film criticism and virtue theory
|
| 505 |
8 |
|
|a Devereaux, Mary, Beauty and evil
|
| 505 |
8 |
|
|a Vadas, Melinda, A first look at the pornography/civil rights ordinance
|
| 505 |
8 |
|
|a Russell, Bruce, The philosophical limits of film
|
| 505 |
8 |
|
|a Hanson, Karen, Minerva in the movies
|
| 505 |
8 |
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|a Hunt, Lester, H., Film as a philosophical resource
|
| 653 |
|
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|a filozofija filma
|
| 653 |
|
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|a igrani film
|
| 700 |
0 |
|
|a Carroll, Noël
|
| 700 |
0 |
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|a Choi, Jinhee
|
| 942 |
|
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|b LIB
|c KNJ
|d KOM | 791.43 | PHI
|h EC16
|i PHI
|6 EC16_PHI
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| 991 |
|
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|a komIII-3274
|
| 991 |
|
|
|a komIII-3906
|
| 991 |
|
|
|a komIII-3910
|
| 992 |
|
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|a KK
|b ZV
|c 20070302
|
| 993 |
|
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|a doktorski studij književnosti
|
| 999 |
|
|
|c 152621
|d 152621
|
