Theatre histories
| Permalink: | http://skupnikatalog.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:152502/TOC |
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| Ostali autori: | Zarrilli, Philip B. (-), McConachie, Bruce, Williams, Gary Jay |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
New York ; London :
Routledge,
2006.
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| Predmet: |
Sadržaj:
- Preface: Interpreting performances and cultures: A first mapping: about this book
- A second mapping: cultural performances, theatre and drama
- A third mapping: about history, historiography, and historical methods
- The historian's sources
- A fouth mapping: periodiozation through modes of human communication
- Case studies and interpretive approaches: the historian at work
- A note on diacritics, spellings, and names
- PART I: Performance and theatre in oral and written cultures before 1600 / edited by Philip B. Zarrilli
- Introduction : The evolution of human language and consciousness
- Human language, writing and society
- Performance, communication, and remembrance
- 1. Oral, ritual, and shamanic performance : Primary orality
- Oral performance
- Oral texts and their transmission under the written sign: Vedic chanting in India
- Ritual specialists: accessing sacred power
- Late Neolithic ritual landscapes and pilgrimage in England
- Early Celtic oral and ritual festival performance
- Interpreting and understanding ritual
- Ritual, ceremony, and collictive social life
- The healing powers of ritual/shamanic specialists
- Summary
- Case studies : Yoruba ritual as "play", and "contigency" in the ritual process
- Interpretive approach. Theories of play and improvisation
- Korean shamanism and the power of speech
- Interpretive approach. Speech act theory
- 2. Religious and civic festivals: Early drama and theatre in context : Commemorative ritual "drama" in Abydos, Egypt
- dialogic drama in the city-state of Athens
- Mesoamericam performance
- Texts in other traditions
- Medieval Christian liturgy and drama
- Islamic commemorative mourning "dramas": the Ta'zieh if Iran
- Summary discussion
- Case studies : Classical Greek theatre: looking at Oedipus
- Interpretive approach. Cognitive studies
- Christians and Moors: Medieval performance in Spain and the New World
- Interpretive approach. Cultural hierarchy
- 3. Imperial theatre: Pleasure, power, and aesthetics : Drama, theatre, and performance in the Roman Republic and Empire
- Indian literary and commemorative drama and theatre
- Early Chineses and JApenese drama, theatre, and performance
- Summary discussion
- Case studies : Plautus's plays: what's so funny?
- Interpretive approach, Part I. Henri Bergson's theory of laughter
- Interpretive approach, Part II. Bergson's theory in historical perspective
- Kutiyattam Sanskrit theatre of India: Rasa-bhava aesthetic theory and the question of taste
- Interpretive approach. Reception theory
- The silent bell: The Japanese noh play, Dôjôji
- Interpretive approach. Feminist and gender theory, modified for medieval Japan
- PART II : Theatre and print cuoltures, 1500-1900 / edited by Bruce McConachie
- Intruduction: China and Western Europe : The rise of European professional theatres
- Commedia dell'arte
- Institutionalizing drama in Europe
- Golden age theatre in Spain, 1590-1680
- Neoclassicism and print in europe
- Le Cid and French absolutism
- Scenic perspectivism in print and on stage
- Acting and print in Europe after 1700
- European dramatists claim authority
- Theatre, print, and the public
- 4. Theatre and the state, 1600-1900 : Theatre and the state in France, 1630-1675
- From patronage to control in France, 1675-1789
- Samurai warriors versus kabuki actors, 1600-1670
- regulating kabuki, 1670-1868
- Theatre and the state in England, 1600-1660
- Patents, censorship, and social order in England, 1660-1790
- Theatre and the state in England and France, 1790-1900
- Case studies: Moliere and carnival laughter
- Interpretice approach. M. Bakhtin's concept of the carnivalesque
- Kabuki and bunraku: Mimesis and the hybrid body
- Interpretive approach. Mimesis, hybridity, and the body
- Shakespearean sexuality in 'Twelfth night'
- Interpretive approach. Queer theory
- 5. Theatre for knowledge through feeling, 1700-1900
- ...
- 6. Theatre, nation, and empire, 1750-1900
- ...
- PART III. Theatre in modern media cultures, 1850-1970 / edited by Bruce McConachie
- Introduction: Historical changes after 1850 : Photography and audiophony in the theatre
- Spectacular bodies on the popular stage
- The rise of realism in the West
- Realist producer-directors
- The rise of realism in Japan
- Avente-garde theatres in the West
- The Great War as a turning point in world theatre
- Shakespeare and film in England
- Lyrical abstraction and th eradio in France
- Psychological realism in the United States
- Theatre and politics
- The continuing power of print
- 7. Theatres of popular entertainment, 1850-1970
- ...
- 8. Theatres of the avant-garde and their legacy, 1880-1970
- ...
- 9. Theatres for reform and revolution, 1880-1970
- ...
- PART IV. Theatre and performance in the age of global communications, 1950-present / edited by Gary Jay Williams
- Introduction: colonialism, globalisation, media and theatre : Media and theare: all in the family
- Globalization, media, theatre and performance
- The media: power and resistance
- Theatre, performance, resistance
- Performance art
- Theatre in postcolonial African nations
- 10. Rich and poor theatres of globalization
- ...
- 11. Director, text, and performance in the postmodern world
- ...
- 12. Interculturalism, hybridity, tourism: the performing world in new terms