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|a 0415192056
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| 035 |
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|a HR-ZaFF komL6832
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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| 080 |
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|a 82.0
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| 100 |
1 |
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|a Roberts, Adam
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| 245 |
1 |
0 |
|a Science fiction /
|c Adam Roberts.
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| 260 |
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|a London ;
|a New York :
|b Routledge,
|c 2002.
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| 300 |
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|a x, 204 str. ;
|c 20 cm
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| 440 |
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4 |
|a The new critical idiom
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| 504 |
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|a Str. 195-200: Bibliografija
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| 504 |
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|a Kazalo
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| 505 |
8 |
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|a 1. Defining science fiction
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| 505 |
8 |
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|a One definition
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| 505 |
8 |
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|a Three definitions
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| 505 |
8 |
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|a The SF novum
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| 505 |
8 |
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|a Difference
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| 505 |
8 |
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|a Prediction and nostalgia
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| 505 |
8 |
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|a Case study: Frank Herbert, 'Dune' (1965)
|
| 505 |
8 |
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|a 2 The history of science fiction: from beginnings to the 1960s
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| 505 |
8 |
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|a Origins
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| 505 |
8 |
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|a Jules Verne and H G Wells
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| 505 |
8 |
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|a Pulp SP
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| 505 |
8 |
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|a The golden age: Asimov
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| 505 |
8 |
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|a New wave
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| 505 |
8 |
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|a Case study: 'Star wars' (1977) and intertextuality
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| 505 |
8 |
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|a 3 Gender
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| 505 |
8 |
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|a Feminist science fiction
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| 505 |
8 |
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|a Women and aliens
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| 505 |
8 |
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|a Case study: Ursula Le Guin, 'The left hand of darkness' (1969)
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| 505 |
8 |
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|a 4 Race
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| 505 |
8 |
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|a Representing race
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| 505 |
8 |
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|a Race and 'Star trek'
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| 505 |
8 |
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|a Alien abduction
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| 505 |
8 |
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|a Case study: blackness in Sonnenfeld's 'Men in black' (1997)
|
| 505 |
8 |
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|a 5 Technology and metaphor
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| 505 |
8 |
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|a Spaceships
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| 505 |
8 |
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|a Robots
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| 505 |
8 |
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|a Cyberspace
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| 505 |
8 |
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|a Case study: William Gibson, 'Neuromancer' (1984)
|
| 505 |
8 |
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|a 6 Conclusion
|
| 653 |
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|a znanstvena fantastika
|
| 653 |
|
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|a znanstvenofantastična književnost
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| 653 |
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|a rod
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| 653 |
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|a rasa
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| 653 |
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|a tehnologija
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| 653 |
|
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|a teorija književnosti
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| 653 |
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|a književna teorija
|
| 942 |
|
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|b LIB
|c KNJ
|d KOM | 82.0 | ROBE | S
|h EC01
|i ROBE S
|6 EC01_ROBE_S
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| 991 |
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|a komIII-1386
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| 991 |
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|a komIII-1972
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| 992 |
|
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|a KK
|b ŽV
|c 20020909
|
| 993 |
|
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|a poslijediplomski studij književnosti
|
| 999 |
|
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|c 150676
|d 150676
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