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080201s1957 ||| |||||||||| ||eng|d |
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|c 150078
|d 150078
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|a 0140170693
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035 |
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|a HR-ZaFF komL6237
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040 |
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|a HR-ZaFF
|b hrv
|c HR-ZaFF
|e ppiak
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080 |
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|a 008 * 316.7
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080 |
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|a 316.7
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100 |
1 |
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|a Hoggart, Richard
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245 |
1 |
4 |
|a The uses of literacy :
|b aspects of working-class life with special referance to publications and entertainments /
|c Richard Hoggart.
|
260 |
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|a London [etc.] :
|b Penguin books,
|c cop. 1957.
|
300 |
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|a 406 str. ;
|c 20 cm
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504 |
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|a Kazalo
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505 |
8 |
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|a Part One: AN 'OLDER' ORDER
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505 |
8 |
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|a I. WHO ARE 'THE WORKING-CLASSES?'
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505 |
8 |
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|a A. Questions of approach
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505 |
8 |
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|a B. A rough definition
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505 |
8 |
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|a 2. LANDSCAPE WITH FIGURES - A SETTING
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505 |
8 |
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|a A. An oral tradition: resistance and adaptation: a formal way of life
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505 |
8 |
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|a B. 'There's no place like home'
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505 |
8 |
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|a C. Mother
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505 |
8 |
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|a D. Father
|
505 |
8 |
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|a E. The neighbourhood
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505 |
8 |
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|a 3. 'THEM' AND 'US'
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505 |
8 |
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|a A. 'Them': 'Self-respected'
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505 |
8 |
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|a B. 'Us' - the best and the worst of it
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505 |
8 |
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|a C. 'Putting up with things': 'Living and letting live'
|
505 |
8 |
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|a 4. THE 'REAL' WORLD OF PEOPLE
|
505 |
8 |
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|a A. The personal and the concrete
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505 |
8 |
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|a B. 'Primary religion'
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505 |
8 |
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|a C. Illustrations from popular art-Peg's paper
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505 |
8 |
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|a 5. THE FULL RICH LIFE
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505 |
8 |
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|a a. The immediate, the present, the cheerful: fate and luck
|
505 |
8 |
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|a B. 'The biggest aspidistra in the world': excursions into the 'baroque'
|
505 |
8 |
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|a C. Illustrations from popular art - club-singing
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505 |
8 |
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|a Part two: YIELDING PLACE TO NEW
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505 |
8 |
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|a 6. UNBENDING THE SPRINGS OF ACTION
|
505 |
8 |
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|a A. Introductory
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505 |
8 |
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|a B. Tolerance and freedom
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505 |
8 |
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|a C. 'Everybody' s doing it now' or 'The gang's all here': the group sense and democratic egalitarianism
|
505 |
8 |
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|a D. Living in the prsent and 'Progressivism'
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505 |
8 |
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|a E. Indifferentism: 'Personalization' and 'fragmentation'
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505 |
8 |
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|a 7. INVITATIONS TO A CANDY-FLOSS WORLD: THE NEWER MASS ART
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505 |
8 |
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|a A: The producers
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505 |
8 |
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|a B. The process illustrated: (i) Weekly family magazines
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505 |
8 |
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|a C. The process illustrated: (ii) Commercial popular songs
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505 |
8 |
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|a D. The results
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505 |
8 |
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|a 8. THE NEWER MASS ART: SEX IN SHINY PACKETS
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505 |
8 |
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|a A. The juke-box boys
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505 |
8 |
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|a B. The 'spicy' magazines
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505 |
8 |
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|a C. Sex-and-violence novels
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505 |
8 |
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|a 9. UNBENT SPRINGS: A NOTE ON A SCEPTICISM WITHOUT TENSION
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505 |
8 |
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|a A. Scepticism to cynicism
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505 |
8 |
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|a B. Some allegorical figures
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505 |
8 |
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|a 10. UNBENT SPRINGS: A NOTE ON THE UPROOTED AND THE ANXIOUS
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505 |
8 |
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|a A. Scholarship boy
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505 |
8 |
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|a B. The place of culture: a nostalgia for ideals
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505 |
8 |
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|a II CONCLUSION
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505 |
8 |
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|a A. Resilience
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505 |
8 |
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|a B. Summaryof present tendencies in mass culture
|
653 |
|
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|a sociologija kulture
|
653 |
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|a kulturalni studiji
|
653 |
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|a cultural studies
|
653 |
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|a radnička klasa
|
653 |
|
|
|a kultura
|
942 |
|
|
|b LIB
|c KNJ
|d KOM | 008 | HOGG | U
|h EC23
|i HOGG U
|6 EC23_HOGG_U
|
991 |
|
|
|a komIII-1043
|
991 |
|
|
|a komIII-1044
|
992 |
|
|
|a KK
|b ŽV
|c 200802
|
993 |
|
|
|a poslijediplomski studij književnosti
|