The classical Hollywood cinema

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Glavni autori: Bordwell, David (-), Staiger, Janet (Author), Thompson, Kristin
Vrsta građe: Knjiga
Jezik: eng
Impresum: New York : Columbia University Press, cop. 1985.
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  • Part one: The classical Hollywood style, 1917-60 / David Bordwell : 1. An excesively obvious cinema
  • 2. Story causality and motivation
  • 3. Classical narration
  • 4. Time in the classical film
  • 5. Space in the classical film
  • 6. Shot and scene
  • 7. The bounds of difference
  • Part two: the Hollywood mode of production to 1930 / Janet Staiger : 8. The Hollywood mode of production: its conndtions of existence
  • 9. Standradization and differentiation: the reinforcement and dispersion of Hollywood's practices
  • 10. The director system: management in the first years
  • 11. The director-unit system: management of multiple-unit companies after 1909
  • 12. The central producer system: centralized management after 1914
  • 13. The division and order of production: the subdivision of the work from the first years through the 1920s
  • Part three: The formulation of the classical style, 1909-28 / Kristin Thompson : 14. From primitive to classical
  • 15. the foumulation of the classical narrative
  • 16. The continuity system
  • 17. Classical narrative space and the spectator's attention
  • 18. The stability of the classical approach after 1917
  • Part four: Film style and technology to 1930 : 19. Technology, style and mode of production / D. Bordwell and J. Staiger
  • 20. Initial standardization of the basic technology / K. Thompson
  • 21. Major technological changes of the 1920s / K. Thompson
  • 21. Major technological changes of the 1920s / K. Thompson
  • 22. The Mazda test of 1928 / D. Bordwell
  • 23. The introduction of sound / D. Bordwell
  • Part five: The Hollywood mode of production, 1930-60 / Janet Staiger : 24. The labor-force, financing and the mode of production
  • 25. The producer-unit system: management by specialization after 1931
  • 26. The package-unit system: unit management after 1955
  • Part six: Film style and technology, 1930-60 / David Bordwell : 27. Deep-focus cinematography
  • 28. Technicolor
  • 29. Widescreen processes and stereophonic sound
  • Part seven: Historical implications of the classical Hollywood cinema / David Bordwell and Janest Staiger : 30. Since 1960: the persistence of a mode of film practice
  • 31. Alternative modes of film practice
  • envoi : Appendix A: The unbiased sample
  • 32. Appendix B. A brief synopsis of the structure of the United States film industry, 1896-1960
  • Appendix C: Principal structures of the US film industry, 1894-1930
  • Appejdix D: LIghting plots and descriptions