The purpose of playing : modern acting theories in perspective - Gordon, Robert (Ann Arbor : University of Michigan Press, 2006)
Introduction
Chapter 1. Nineteenth-Century Acting
Chapter 2. Acting as Psychological Truth: Stanislavski's Legacy
Chapter 3. The Actor as Scenographic Instrument
Chapter 4. The Legacy of Jacques Copeau
Chapter 5. Michel Saint-Denis and the English Tradition
Chapter 6. British Approaches to the Teaching of Speech and Movement
Chapter 7. Improvisation and Games for Devising and for Performer Training
Chapter 8. Brechtian Theater as Political Praxis
Chapter 9. Augusto Boal and the Theater of the Oppressed
Chapter 10. Antonin Artaud, the Actor's Body, and the Space of Performance
Chapter 11. Jerzy Grotowski
Chapter 12. From Personal Encounter to Cultural Exchange: The Theaters of Peter Brook
Chapter 13. Eugenio Barba and Theater Anthropology
Conclusion
Notes
Select Bibliography
Index
Bibliografija: str. 400-404. - Kazalo
Keywords: Acting; Acting -- History; gluma - povijest