Amateur filmmaking
With the advent of digital filmmaking and critical recognition of the relevance of self expression, first-person narratives, and personal practices of memorialization, interest in the amateur moving image has never been stronger. Bringing together key scholars in the field, and revealing the rich va...
| Permalink: | http://skupnikatalog.nsk.hr/Record/ffzg.KOHA-OAI-FFZG:330487/TOC |
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| Ostali autori: | Rascaroli, Laura (Editor), Young, Gwenda, Monahan, Barry |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
New York :
Bloomsbury,
2014.
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| Predmet: |
Sadržaj:
- Introduction. Amateur filmmaking: New developments and Directions
- Section One: Reframing the home movie
- The home movie and space of communication / Roger Odin
- Home movies and amateur film as national cinema / Liz Czach
- The Photographic hangover: reconsidering the aesthetics of the postwar 8mm home movie / Maija Howe
- Amateur film, automobility and the cinematic aesthetics of leisure / Mark Neumann. Section Two: Private reels, historiographical concerns
- Cinemas of catastrophe and continuity: Mapping out Twentieth-century amateur practices of intentional history-making in northern England / Heather Norris Nicholson
- Glimpses of a hidden history: Exploring Irish amateur collections, 1930-1970 / Gwenda Young
- Uncensored British imperial politics in late colonial home movies: Memsahibs, Indian bearers and Chinese communist insurgents / Annamaria Motrescu-Mayes
- The amateur film: From artifact to anecdote / Karen Lury
- Starring Sally Peshlakai: Rewriting the script for Tad Nichols's 1939 Navajo Rug Weaving / Janna Jones. Section Three: Nonfictional Recontextualisations
- Change of scale: Home movies as microhistory in documentary films / Efren Cuevas
- Creating historiography: Alan Gilsenan's formal reframing of amateur archival footage in Home Movie Nights / Barry Monahan
- "That Would Be Wrong": Errol Morris and his use of home movies (as metalanguages) in feature documentaries / Stefano Odorico. Section Four: Amateur Auteur
- : "I am a Time Archaeologist": Some reflections on the filmmaking practice of Péter Forgács / Richard Kilborn
- Representing the past and the meaning of home in Péter Forgács's Private Hungary / Ruth Balint
- Necessity is the mother of invention, or Morder's amateur toolkit / Dominique Bluher
- : Joseph Morder, the "Filmateur": An interview with Joseph Morder / Dominique Bluher
- : Working at home: Tarnation, amateur authorship, and self-inscription in the digital age / Laura Rascaroli. Section Five: New Directions: The Digital Age
- Saving private reels: Archival practices and digital memories (formerly known as home movies) in the digital age / Susan Aasman
- The Home Movie Archive Live / Patricia R. Zimmerman
- An inward gaze at home: Amateur first person DV Documentary filmmaking in Twenty-First century China / Tianqi Yu
- Shooting for profit: The monetary logic of the YouTube home movie / Lauren S. Berliner
- Home movies in the age of Web 2.0: The case of "Star Wars Kid" / Abigail Keating
- Towards mobile filmmaking 2.0: Amateur filmmaking as an alternative cultural practice / Max Schleser.