Psychophysical acting : an intercultural approach after Stanislavski - Zarrilli, Phillip B.; Hulton, Peter; Barba, Eugenio (London ; New York : Routledge, 2009)
Pt. 1. What is the actor's work? -- Historical context -- Beginning with the breath -- An enactive approach to acting and embodiment -- Pt. 2. Work on oneself -- The source traditions: yoga, kalarippayattu, and taiqiquan -- The psychophysical actor's "I can" -- Exercises for "playing" in-between: structured improvisations -- Pt. 3. Production case studies -- The Beckett project -- The water station (Mizu no Eki) by Ōta Shōgo -- Speaking stones: images, voices, fragments, ... from that which comes after, with text by Kaite O'Reilly and German translation by Frank Heibert -- 4:48 Psychosis by Sarah Kane -- Attempts of Her life by Martin Crimp -- Appendix 1: A.C.Scott and the Asian-Experimental Theatre Program -- Appendix 2: Yuasa Yasuo's body-scheme
Bibliografske bilješke: str.[235]-245)
Kazalo
Keywords: Acting -- Psychological aspects; kazalište; kazališna gluma; gluma -- psihološki aspekti