The implied reader : patterns of communication in prose fiction from Bunyan to Beckett - Iser, Wolfgang (Baltimore ; London : Johns Hopkins University Press, 1974)
Introduction
1. Bunyan's 'Pilgrim's progress': the doctrine of predestination and the shaping of the novel -- 2. The role of the reader in Fielding's 'Josep Andrews' and 'Tom Jones' -- 3. The generic control of the esthetic response: an examination of Smollett's 'Humphry Clincker' -- 4. Fiction - the filter of history: a study of Sir Walter Scott's 'Waverley' -- 5. The reader as a component part of the realistic novel: esthetic effects in Thacheray's 'Vanity fair' -- 6. Self-reduction: I. The self.communication of subjectivity in autobiographical fiction. W.M. Thacheray:; 'Henry Esmond' -- II. Perception, temporality, and action as modes of subjectivity. W. Faulkner: 'The sound and the fury' -- III. The unpredicability of subjectivity. I. Compton-Burnett: 'A heritage and its history' -- IV. Subjectivity as the autogenous cancellation of its own manifestations. S. Beckett: 'Molloy'. 'Malone dies', 'The unnamable' -- 7. Doing things in style: An interpretation of "The oxen f hte sun" in James Joyce's 'Ulysses' -- 8. Patterns of communication in Joyce's 'Ulysses' -- I. Myth and reality -- II. Experiments in style -- III. The function of the experiments in style -- IV. The archetypes -- V. The reader's quest and the formation of illusion -- 9. Dialogue of the unspeakable: Ivy Compton-Burnett: 'A heritage and its history' -- 10. When is the end not the end? The idea of fiction in Beckett -- 11. The reading process: A phenomenological approach
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Keywords: teorija književnosti; čitatelj; estetika književnosti; implicitni čitatelj