Palimpsests : literature in the second degree - Genette, Gérard (Lincoln ; London : University of Nebraska Press, 1997)
1 Five types of transtextuality, among which hypertextuality -- 2 A few precautions -- 3 Parodia in Aristotle -- 4 Birth of parody? -- 5 Parody as a literary figure -- 6 Development of the vulgate -- 7 General chart of hypertwxtual practices -- 8 Brief parodies -- 9 Oulipian games -- 10 One word for another -- 11 Niagara: a novel -- 12 Burlesque travesty -- 13 Modern travesties -- 14 Imitation as a literary figure -- 15 A text cannot be imitated directly -- 16 Difficulties in distinguishing modes in mimotexts -- 17 Caricatures -- 18 Pastiches -- 19 Flaubert and Proust -- 20 Pastiche in the form of variations -- 21 Self-pastiche -- 22 Fictitioous pastiches -- 23 The mock-heroic -- 24 Mixed parody -- 25 The antiromance -- 26 Play it August, Sam -- 27 La Chasse spirituell -- 28 Continuations -- 29 Endings for La vie de Marianne and Le Paysan parvenu -- 30 La fin de Lamiel -- 31 Cyclical contonuations -- The Aeneid, Telemachus -- 33 Andromaque, je pense a vous... -- 34 Unfaithful continuations -- 35 Murdeerous continuations -- 36 The non-existent knight -- 37 Supplement -- 38 Sequel, epiloguw, Lotte in Weimar -- 39 Generic reactivation -- 40 Transpositon -- 41 Translation -- 42 Versification -- 43 Prosification -- 44 Transmetrification -- 45 Transtylization -- 46 Quantitative transformations -- 47 Excision -- 48 Concision -- 49 Condensation -- 50 Digest -- 51 Proust to Mme Scheikévitch -- 52 Pseudowummary in Borges -- 55 Extension -- 4 Expansion -- 55 Amplification -- 56 Ambiguous practices -- 57 Intermodal transmodalization -- 58 Laforgue's Hamlet -- 59 Intramodal transmodalization -- 60 Rosenkrantz and Guildenstern are dead -- 61 Diegetic transposition, starting with sex -- 62 Proximization -- 63 Pragmatic transformation -- 64 Unamuno, aothor of Quixote -- 65 Motivation -- 66 Demotivation -- 67 Transmotivation -- 68 Eulogies of Helen -- 69 Secondary valuation -- 70 Primary valuation -- 71 Devaluation -- 72 Macbett -- 73 Aragon, author of Télémaque -- 74 Naissanse de l'Odyssée -- 75 Transvaluation -- 76 Penthesilea -- 77 New supplements -- 78 A baffling hypertext -- 79 Hyperesthetic practices -- 80 End
Bibliografija: str. 429-471
Kazalo
Keywords: imitacija u književnosti -- parodija -- književnost -- adaptacija -- teorija književnosti